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By Alastair Duncan

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4cm) high, in Mackintosh toMollino, Fifty exhibition catalogue, Barry 1 984, p. 52 c. 1 939. ) (collection Barry Opposite, below AbelFoidy right settee, "skyscraper" design, for the Charles and Ruth Singleton penthouse, 244 Stone Street, Chicago, 927. Illustrated in Chicago Furniture 1 1 Art, Craft W 1 and Industry 1833-1983, Sharon New York, Norton, 94 ff. Above, 1 W. Darling, 984, color plate section, p. (photo The Chicago Historical Society) right ElielSaarinen pair of side chairs manufactured by Company of Mastercraftsmen; fir with black ocher paint, red horsehair upholstery, 37%in.

Own his furniture IUMIU-1 and u imported wallpaper and fabrics. Frankl Five assumed the role of Modernism's most ardent crusader works bear testament decorative Spaces New arts: for Living, biography. 31 commitment across a broad Dimensions, Form and Re-Form, Machine and Survey of American message, repeated the to his firm addition in were His writings and Textiles. didactic: front of the Age Leisure, Numerous magazine an absorbing to publicist. unpublished articles auto- Modernism championed repeatedly against history's gilded atrocities.

In It in is year. vibrant colors with a now regarded 33 In- complex as one of the 34 Below, 930s Frankl turned to metal furnishings. His tubular chromed chairs left Eugene Schoen settee/love seat manufactured by S. , 929. Illustrated in House Beautiful, 1 and consoles, while meeting the espoused, lacked the charm and strict standards of functionalism which he individuality of his earlier wood February 1929, April pieces. 935, 1 p. p. ) Below, center A New native Columbia Yorker, University Josef Hoffmann practice 1 901 .

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