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Superb illustrations from an extraordinary resource supply real perspectives of evolving Victorian models — from excessive necklines, elongated bodices, and geared up bonnets to extravagant bustles. The meticulously reproduced plates comprise depictions of clothes, robes, and coats in addition to add-ons. A needs to for dress designers, cultural historians, and model fans. creation. Captions.
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Extra info for 80 Godey's Full-Color Fashion Plates. 1838-1880
The corsage is made with deep points both back and front; sleeves trimmed to match the skirt. Illusion veil, caught in front with a bunch of orange blossoms; the hair is rolled from the face, and arranged in a waterfall at the back. Fig. d. White satin dress, trimmed with a point applique lace flounce, headed by a quilling of white ribbon and chenille tassels. Illusion veil. The hair is rolled from the face, and dressed with a tuft of orange blossoms. Fig. e. Pink silk dress, trimmed with chenille fringe and a quilling of ribbon.
A. Equestrienne. Figs. b—d. Summer dresses. PLATE 15. JANUARY 1843. Fig. a. Dress of thibet merino with six braided tucks. Down the front is a large tuck, trimmed with braid. Fig. b. Dress of gros de Brazil, with seven flounces, each edged with a bias fold. Fig. c. Dress of embroidered white tarletane muslin. Fig. d. Open dress of Altapacca poplin, trimmed with silk cord. Fig. e. Dress of Turkish satin, pleats or folds down the front, caught at intervals with satin knots or clasps. Neck and sleeves trimmed with rich lace.
Green silk skirt with white organdy chemisette. Fig. d. Changeable silk dress; shawl of red, brown, green, and white stripes. PLATE 8. JUNE 1841. Fig. a. Fine white cashmere dress, two rows of colored silk floss embroidery and tucks around bottom of skirt. Hat of white poult-de-soie. Fig. b. Blue dress with three lace-edged tucks. Low-necked corsage. The sleeves have four puffs. ” Caising bonnet. Fig. c. Colored skirt; white waist, sleeve gaged at the top, the neckline edged with a puff. Straw bonnet.